"Messiah, HWV 56: Part 2: Behold, and see if there be any sorrow (Arioso)" by Nikolaus Harnoncourt was released on 2005. With Messiah, HWV 56: Part 2: Behold, and see if there be any sorrow (Arioso) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 7 out of 47. In terms of popularity, Messiah, HWV 56: Part 2: Behold, and see if there be any sorrow (Arioso) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56: Part 2: Behold, and see if there be any sorrow (Arioso) by Nikolaus Harnoncourt to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 97 BPM | ||
Messiah, HWV 56: Part 2: Thy rebuke hath broken His heart (Accompagnato) | Nikolaus Harnoncourt | D Major | 0 | 10B | 103 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Sonata in E Major, L. 21 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Notturno For Piano, Violin And Violoncello In E Flat Major, Op. 148, D 897 | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Maximilian Hornung | B♭ Major | 0 | 6B | 129 BPM | ||
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
The Hebrides, Op. 26, MWV P 7 "Fingal's Cave": Overture | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | B Minor | 2 | 10A | 135 BPM | ||
Missa Solemnis in D Major, Op. 123: II. Gloria: Gloria | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Minor | 2 | 7A | 136 BPM | ||
Quintet in F Major, Op. 22, No. 2: I. Allegro con moto | Johann Christian Bach, Berliner Barock Compagney | E Major | 1 | 12B | 122 BPM |