"Die hochzeit des Figaro, K.492, IWM 348, Act II: "Hör mein Flehn, o Gott der Liebe" (Gräfin, Susanna, Figaro, Cherubino)" by Wolfgang Amadeus Mozart, Orchester des Stuttgarter Rundfunks, Karl Böhm, Margarete Teschemacher, Maria Cebotari, Paul Schöffler, Angela Kolniak was released on June 1, 2000. Since Die hochzeit des Figaro, K.492, IWM 348, Act II: "Hör mein Flehn, o Gott der Liebe" (Gräfin, Susanna, Figaro, Cherubino) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Karl Böhm, Orchester des Stuttgarter Rundfunks's "MOZART: DIE HOCHZEIT DES FIGARO" album is number 11 out of 34. On top of that, Italy appears to be the country where this track was created. Die hochzeit des Figaro, K.492, IWM 348, Act II: "Hör mein Flehn, o Gott der Liebe" (Gräfin, Susanna, Figaro, Cherubino) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die hochzeit des Figaro, K.492, IWM 348, Act II: "Hör mein Flehn, o Gott der Liebe" (Gräfin, Susanna, Figaro, Cherubino) by Wolfgang Amadeus Mozart, Orchester des Stuttgarter Rundfunks, Karl Böhm, Margarete Teschemacher, Maria Cebotari, Paul Schöffler, Angela Kolniak to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Pa-pa-pa" (Papageno, Papagena) | Wolfgang Amadeus Mozart, Catherine Pierard, Andreas Schmidt, Sir Roger Norrington, London Classical Players | B♭ Major | 0 | 6B | 77 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 0 | 11A | 169 BPM |