Marc-Antoine Charpentier, Bernhard Kratzer, Monika Nuber made "Prelude aus dem Te Deum" available on November 30, 1995. The duration of Prelude aus dem Te Deum is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Prelude aus dem Te Deum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Trompete & Orgel (Festlich - Besinnlich)". In this album, this song's track order is #1. Based on our statistics, Prelude aus dem Te Deum's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Prelude aus dem Te Deum by Marc-Antoine Charpentier, Bernhard Kratzer, Monika Nuber having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert de Trompettes: 2e Air des Echos | Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne | C Major | 2 | 8B | 105 BPM | ||
Strike the Viol | Henry Purcell, Voces8, Les Inventions, Barnaby Smith | E Major | 2 | 12B | 125 BPM | ||
Magnificat in D Major, BWV 243: Et misericordia eius | Johann Sebastian Bach, Gérard Lesne, Howard Crook, Philippe Herreweghe, La Chapelle Royale | E♭ Minor | 0 | 2A | 107 BPM | ||
Gloria: Qui sedes ad dexteram Patris | Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 109 BPM | ||
Monteverdi: Madrigals, Book 8: Ballo, SV 154b | Claudio Monteverdi, L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 127 BPM | ||
Laudate pueri Dominum, RV 600: A solis ortu | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: VI. Vas spirituale | Marc-Antoine Charpentier, Les Arts Florissants, Kaori Uemura, Anne Marie Lasla, William Christie | A♭ Minor | 1 | 1A | 64 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM |