Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot Gardiner made "Gloria: Qui sedes ad dexteram Patris" available on August 31, 2001. The duration of Gloria: Qui sedes ad dexteram Patris is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Gloria: Qui sedes ad dexteram Patris's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Gloria / Handel: Dixit Dominus by The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. The song's track number on the album is #9 out of 27 tracks. In terms of popularity, Gloria: Qui sedes ad dexteram Patris is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Gloria: Qui sedes ad dexteram Patris by Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot Gardiner has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Gloria: Qui sedes ad dexteram Patris being at 109 テンポ, the half-time would be 54 テンポ with a double-time of 218 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Dixit Dominus in D Major, RV 594: I. Dixit Dominus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | D♭ Major | 2 | 3B | 110 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 130 BPM | ||
The Fairy Queen, Z. 629 / Act 4: Song: "Thus the ever Grateful Spring" | Henry Purcell, Jennifer Smith, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir | Henry Purcell, Paul O'Dette, Drew Minter, Mary Springfels, Mitzi Meyerson | D♭ Major | 1 | 3B | 145 BPM | ||
Psalmen Davids samt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wie lieblich sind deine Wohnungen, SWV 29, "Psalm 84" | Heinrich Schütz, The Monteverdi Choir, Edmund Connolly, John Eliot Gardiner | G Minor | 1 | 6A | 73 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): II. Larghetto | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM |