Henry Purcell, Paul O'Dette, Drew Minter, Mary Springfels, Mitzi Meyerson made "Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir" available on 1992. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Purcell: Sweeter Than Roses: Songs". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir by Henry Purcell, Paul O'Dette, Drew Minter, Mary Springfels, Mitzi Meyerson having a テンポ of 145 with a half-time of 72 テンポ and a double-time of 290 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franciscus: Phiton, beste tres venimeuse: Phiton, beste tres venimeuse | Trefoil, Drew Minter, Mark Rimple, Marcia Young | C Major | 1 | 8B | 132 BPM | ||
Canon and Gigue "a 3 Violinis con suo Basso": I. Canon | Johann Pachelbel, Andrew Manze, John Holloway, Stanley Ritchie, Nigel North, John Toll, Mary Springfels | D♭ Major | 2 | 3B | 125 BPM | ||
Susanna, HWV 66: Part 3: Gold within the furnace try'd | George Frideric Handel, Philharmonia Baroque Orchestra, Drew Minter, Nicholas McGegan | D♭ Major | 2 | 3B | 105 BPM | ||
Dolcissimi legami di parole amorose | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | D Minor | 1 | 7A | 79 BPM | ||
Purcell : King Arthur : Act 2 "Come, shepherds, lead up a lively measure" [Chorus] Hornpipe | William Christie | F Major | 2 | 7B | 85 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Flute Sonata in B minor, Op.2 No.11: Aria gratioso (Allegro ma non troppo) | Jean-Marie Leclair I, Christoph Huntgeburth, Mitzi Meyerson, Hildegard Perl | D Minor | 1 | 7A | 97 BPM | ||
Funeral Sentences For Queen Mary: Thou Knowest, Lord | Timothy Brown, Jonathan Brown, Liz Kenny, Jenny Ward - Clarke, Tim Handley, Andrew Manze, Jan Schlapp, Choir of Clare College, Cambridge, William Carter, Nicholas Parker, Henry Purcell, Marshall Marcus | C Minor | 0 | 5A | 82 BPM | ||
Rejoice in the Lord alway, verse anthem, Z.49 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
Pergolesi: Confitebor: III. Fidelia omnia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 2 | 11B | 107 BPM |