Trefoil, Drew Minter, Mark Rimple, Marcia Young's 'Franciscus: Phiton, beste tres venimeuse: Phiton, beste tres venimeuse' came out on March 8, 2005. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Trefoil's "Masters, Monsters and Mazes - Treading the Medieval Labyrinth" album is number 7 out of 16. Based on our statistics, Franciscus: Phiton, beste tres venimeuse: Phiton, beste tres venimeuse's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Franciscus: Phiton, beste tres venimeuse: Phiton, beste tres venimeuse by Trefoil, Drew Minter, Mark Rimple, Marcia Young to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
Deux pièces en fa majeur: II. Ciacconna (II: 77-80) | Silvius Leopold Weiss, Bernhard Hofstötter, Dolores Costoyas | D♭ Minor | 1 | 12A | 90 BPM | ||
Rubum Quem | Christopher Tye, Trinity Baroque, Alan Crumpler, Martin Pope, Julian Podger, Steven Player, The Forbury Consort, The Holbein Consort | G Minor | 1 | 6A | 86 BPM | ||
Sus une fontayne en remirant | Johannes Ciconia, Trefoil | G Minor | 1 | 6A | 88 BPM | ||
Antiphona O, quam mirabilis est | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Kamila Mazalová | G Major | 0 | 9B | 63 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Juste judex, Jesus Christe | Psalterium, Public Domain | A Minor | 1 | 8A | 78 BPM | ||
Chansons: Amoreux suy et me vient toute joye | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Minor | 3 | 1A | 107 BPM |