"Antiphona O, quam mirabilis est" by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Kamila Mazalová was released on 2015. The duration of Antiphona O, quam mirabilis est is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Antiphona O, quam mirabilis est's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Von Bingen: Ego sum homo by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková. The song's track number on the album is #4 out of 15 tracks. Antiphona O, quam mirabilis est is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Antiphona O, quam mirabilis est by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Kamila Mazalová has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Antiphona O, quam mirabilis est being at 63 テンポ, the half-time would be 32 テンポ with a double-time of 126 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mouton: Nesciens Mater | The Tallis Scholars, Peter Phillips | F Major | 2 | 7B | 82 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Mass for the Nativity of the Virgin: II. Conduit à quatre voix "Deus misertus hominis" | Pérotin, Ensemble Organum, Marcel Pérès | B♭ Major | 1 | 6B | 69 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
Messe vidi turbam magnam: No. 1, Introït. Stratuit ei dominum | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Major | 0 | 10B | 126 BPM |