Christopher Tye, Trinity Baroque, Alan Crumpler, Martin Pope, Julian Podger, Steven Player, The Forbury Consort, The Holbein Consort's 'Rubum Quem' came out on June 8, 2010. With Rubum Quem being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Tudor Age Music". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Rubum Quem is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rubum Quem by Christopher Tye, Trinity Baroque, Alan Crumpler, Martin Pope, Julian Podger, Steven Player, The Forbury Consort, The Holbein Consort having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
Innsbruck and Gross leid | Heinrich Isaac, Trinity Baroque, The Forbury Consort, Martin Pope, Alan Crumpler, Julian Podger, The Holbein Consort, Steven Player | F Major | 0 | 7B | 90 BPM | ||
Dances: Almayne | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | G Major | 1 | 9B | 180 BPM | ||
The King's Pavyn | Anon, Trinity Baroque, Julian Podger, The Holbein Consort, Steven Player, Martin Pope, The Forbury Consort, Alan Crumpler | G Major | 1 | 9B | 81 BPM | ||
St. Luke, TWV 5:33: Chorale: Nun, ich danke Dir von Herzen (Chorus) | Georg Philipp Telemann, Veronika Winter, Anne Bierwirth, Julian Podger, Clemens Heidrich, Matthias Vieweg, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | E Major | 1 | 12B | 78 BPM | ||
The Dancing Master: Newcastle | John Playford, The Broadside Band, Jeremy Barlow | G Major | 2 | 9B | 114 BPM | ||
Fantasia | Luis de Narváez, Shirley Rumsey | C Minor | 0 | 5A | 95 BPM | ||
L'Arboscello Ballo Furlano | Pierre Phalèse the Elder, Pierre Phalèse, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
St. Luke, TWV 5:33: Accompanied: Wer leiedet dort? (Soprano) | Georg Philipp Telemann, Veronika Winter, Anne Bierwirth, Julian Podger, Clemens Heidrich, Matthias Vieweg, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | A Major | 1 | 11B | 84 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM |