"Innsbruck and Gross leid" by Heinrich Isaac, Trinity Baroque, The Forbury Consort, Martin Pope, Alan Crumpler, Julian Podger, The Holbein Consort, Steven Player had its release date on June 8, 2010. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Trinity Baroque, Julian Podger, The Forbury Consort, Alan Crumpler, The Holbein Consort, Martin Pope, Steven Player's "Music from the reign of Henry V111" album is number 22 out of 27. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Innsbruck and Gross leid is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Innsbruck and Gross leid by Heinrich Isaac, Trinity Baroque, The Forbury Consort, Martin Pope, Alan Crumpler, Julian Podger, The Holbein Consort, Steven Player to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
Ecco la Primavera | Francesco Landini, Trinity Baroque, The Holbein Consort, Martin Pope, Alan Crumpler, Julian Podger, Fprbury Consort | G Major | 0 | 9B | 69 BPM | ||
Missa Wohlauff gut Gsell von hinnen: IVc. Osanna I | Heinrich Isaac, Cinquecento | A Minor | 1 | 8A | 105 BPM | ||
Qual Lege Move | Bartolino da Padova, Ensemble Syntagma, Alexandre Danilevski | E Major | 1 | 12B | 141 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Quant en moy / Amour et biaute / Amara valde | DP (Machaut, Guillaume, Arr.:VladimirIvanoff, Sarband | C Major | 1 | 8B | 66 BPM | ||
Messe de Nostre Dame: Sanctus | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | A Minor | 1 | 8A | 132 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM |