Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana made "Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace" available on May 22, 1991. With Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 35 in Concerto Grossos Op. 6, Nos. 7-12 by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace by Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana is Lento (slowly), since this song has a tempo of 59 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 3: II. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Major | 0 | 10B | 92 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: V. Adagio | Arcangelo Corelli, Quido Holbling, Anna Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Minor | 1 | 7A | 89 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM |