Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza's 'Simphonia V: Chaconne in D Major' came out on October 4, 2011. Simphonia V: Chaconne in D Major is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 27 out of 34 in Campra: Gli strali d'amore by Fabio Bonizzoni. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Simphonia V: Chaconne in D Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Simphonia V: Chaconne in D Major by Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Suite du premier ton: VI. Recit de cromorne et de Cormet separe, en Dialogue | Louis-Nicolas Clérambault, Edgar Krapp | F♯ Minor | 0 | 11A | 80 BPM | ||
Pièces de viole du Quatrième Livre, suite d’un goût étranger: La Rêveuse, IV. 82 (1711) | Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman | E Minor | 1 | 9A | 82 BPM | ||
Concerto in G Minor: I. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 94 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Troppo cruda, HWV 198 | George Frideric Handel, Rossana Bertini, Claudio Cavina, Caroline Boersma, Fabio Bonizzoni | G Major | 2 | 9B | 120 BPM | ||
Gli strali d'amore (after Italian arias by A. Campra): Aria: La farfalla intorno ai fiori (Leonora) | Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza | A♭ Minor | 2 | 1A | 109 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Concerto À 4 Parties In A Minor: 1. Allegro | Michel Blavet, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | A♭ Minor | 2 | 1A | 108 BPM |