Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro's 'Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater"' came out on October 26, 2018. The duration of Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 23 in Anima Sacra by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" by Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria "Exaltate Regem regum" | Anonymous, Florilegium, Bolivian Soloists | A Major | 2 | 11B | 76 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM | ||
Zelenka: Laetatus sum, ZWV 90: VI. Sicut erat. Allegro assai | Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro | A♭ Major | 4 | 4B | 111 BPM | ||
Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné "Temple sacré, séjour tranquille" | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 116 BPM | ||
Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform" | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | F Major | 1 | 7B | 162 BPM | ||
Adela | Joaquín Rodrigo, Aleksander Debicz, Łukasz Kuropaczewski, Jakub Józef Orliński | B Minor | 0 | 10A | 132 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto in C major Seibel 211: 2. Pastorell | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 132 BPM | ||
Vivaldi: Il Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E♭ Major | 1 | 5B | 94 BPM | ||
Concerto in F Major, Seibel 231: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 123 BPM |