Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro made "Zelenka: Laetatus sum, ZWV 90: VI. Sicut erat. Allegro assai" available on October 29, 2021. The duration of Zelenka: Laetatus sum, ZWV 90: VI. Sicut erat. Allegro assai is about 3 minutes long, at 3:12. Based on our data, "Zelenka: Laetatus sum, ZWV 90: VI. Sicut erat. Allegro assai" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 18 in Anima Aeterna by Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro. In terms of popularity, Zelenka: Laetatus sum, ZWV 90: VI. Sicut erat. Allegro assai is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Zelenka: Laetatus sum, ZWV 90: VI. Sicut erat. Allegro assai by Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Te Deum: VII. Tu ad dexteram Dei sedes | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Dances Wq. 189: Trio in G minor | Carl Philipp Emanuel Bach, Ensemble Eduard Melkus, Eduard Melkus | B♭ Major | 0 | 6B | 114 BPM | ||
Ave maris stella | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Elizabeth Nurse, Colin Danskin, Daniel Tate | B Minor | 2 | 10A | 71 BPM | ||
Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: I. Dictum (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Sinfonia | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | D♭ Major | 2 | 3B | 120 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM |