Matthew Locke, Ensemble Correspondances, Sébastien Daucé's 'Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace' came out on September 23, 2022. With Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matthew Locke, Ensemble Correspondances, Sébastien Daucé's "Locke: Psyche" album is number 7 out of 55. On top of that, France appears to be the country where this track was created. Based on our statistics, Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace by Matthew Locke, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Mandolin Sonata No. 1: III. Andante | Robert Valentine, Artemandoline | B Major | 4 | 1B | 145 BPM | ||
Sonata Sesta in F Major: II. Allemande | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | F♯ Major | 2 | 2B | 116 BPM | ||
Armide, LWV 71, Prologue: Ouverture (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | B♭ Major | 2 | 6B | 120 BPM | ||
Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | B Major | 4 | 1B | 98 BPM | ||
Le Carnaval et la Folie: Gigue | Andre Cardinal Destouches, Arion Orchestre Baroque, Mathieu Lussier | D♭ Major | 1 | 3B | 127 BPM | ||
The Little Consort, Suite No. 6 in F Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 81 BPM | ||
Sonata a Violoncello Solo G Major: Largo | Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | F♯ Major | 1 | 2B | 140 BPM | ||
Motets pour la Chapelle du Roy: O æterne misericors Deus | Henri Dumont, Ensemble Correspondances, Sébastien Daucé | F Minor | 2 | 4A | 118 BPM |