Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés's 'Sonata a Violoncello Solo G Major: Largo' came out on January 30, 2015. The duration of Sonata a Violoncello Solo G Major: Largo is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Sonata a Violoncello Solo G Major: Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés's "Michal Stahel - Baroque Cello Sonatas" album is number 1 out of 33. Based on our statistics, Sonata a Violoncello Solo G Major: Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata a Violoncello Solo G Major: Largo by Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Stabat Mater: II. O Quam Tristis Et Afflicta | Studentenkoor Gica, Antonio Maria Bononcini | G Minor | 1 | 6A | 117 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Suite No. 5 in F Major: IV. Sarabande | Charles Dieupart, Marsyas Baroque, Simon Linne | F♯ Major | 4 | 2B | 72 BPM | ||
Sul margine adorato con violini, IAB 15: IV. Aria in G Minor "Benchè m'habbia la cruda" (Cantabile) | Antonio Maria Bononcini, Radu Marian, Ars Antiqua Austria, Gunar Letzbor | F♯ Minor | 1 | 11A | 101 BPM | ||
La decollazione di San Giovanni Battista: Coro: Rapido da te lungi (Chorus) | Antonio Maria Bononcini, Michel Van Goethem, Maurizia Barazzoni, Daniela Piccini, Fernanda Piccini, Virgilio Bianconi, Opera Barocca di Guastalla Orchestra, Sandro Volta | F♯ Minor | 1 | 11A | 96 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
Violin Sonata No. 2b in D Minor, Op. 1, No. 1b, HWV 359b: III. Adagio | George Frideric Handel, György Pauk, Mária Frank, Janos Sebestyen | A Major | 3 | 11B | 113 BPM | ||
La decollazione di S. Giovanni Batista, Pt. 1: No. 2, Sorga omai l' alba lucente | Antonio Maria Bononcini, Wroclaw Baroque Orchestra, Bożena Bujnicka, Andrzej Kosendiak | B Minor | 1 | 10A | 78 BPM |