"Concerto in C major Seibel 211: 2. Pastorell" by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1993. The duration of Concerto in C major Seibel 211: 2. Pastorell is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Concerto in C major Seibel 211: 2. Pastorell's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel's "Heinichen: Dresden Concerti" album is number 5 out of 50. Based on our statistics, Concerto in C major Seibel 211: 2. Pastorell's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in C major Seibel 211: 2. Pastorell by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Oboe, Strings and B.c. "Voli per l'aria": Adagio (from Organconcerto op.4,3, HWV 291) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Minor | 0 | 3A | 178 BPM | ||
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
Violin Concerto in D Major, JunP I.7: III. Allegro | Johann Georg Pisendel, Freiburger Barockorchester, Gottfried Von Der Goltz | D♭ Major | 2 | 3B | 183 BPM | ||
Recorder Concerto in G Major, Op. 10, No. 4, RV 435: II. Largo | Antonio Vivaldi, Dan Laurin, Bach Collegium Japan | D♭ Major | 0 | 3B | 125 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 2. Quand on scait aimer et plaire - Andante | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Major | 0 | 2B | 101 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto in F Major, S. 235: 5. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 120 BPM |