Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne made "Concert de Trompettes: 2e Air des Echos" available on September 3, 2015. With Concert de Trompettes: 2e Air des Echos being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Les Arts Florissants, Ensemble Correspondances, William Christie, Sébastien Daucé's "Louis XIV" album is number 21 out of 21. In terms of popularity, Concert de Trompettes: 2e Air des Echos is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concert de Trompettes: 2e Air des Echos by Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Des Arts: Ouverture | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne | F♯ Minor | 1 | 11A | 91 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Interlude | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
Quatuor No. 1 in D Major: I. Prélude; Vivement | Georg Philipp Telemann, Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | A♭ Major | 2 | 4B | 115 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 1. (Allegro giusto) | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 0 | 3B | 111 BPM | ||
La Bocanne primitive | Jacques Cordier, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 103 BPM | ||
Concerto No 3 in B minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B♭ Minor | 2 | 3A | 142 BPM | ||
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM |