Claudio Monteverdi, L'Arpeggiata, Christina Pluhar's 'Monteverdi: Madrigals, Book 8: Ballo, SV 154b' came out on January 5, 2009. The duration of Monteverdi: Madrigals, Book 8: Ballo, SV 154b is about 3 minutes long, at 3:06. Based on our data, "Monteverdi: Madrigals, Book 8: Ballo, SV 154b" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 13 out of 16. Based on our statistics, Monteverdi: Madrigals, Book 8: Ballo, SV 154b's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: Madrigals, Book 8: Ballo, SV 154b by Claudio Monteverdi, L'Arpeggiata, Christina Pluhar to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo, Intermedio: Pass e Medio | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar | D Minor | 0 | 7A | 171 BPM | ||
Balletto delle Virtù | Stefano Landi, L'Arpeggiata, Christina Pluhar | F Major | 2 | 7B | 137 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Rossi / Arr. Pluhar: "Se dolente e flebil cetra" | Luigi Rossi, Christina Pluhar, Véronique Gens | E Major | 0 | 12B | 108 BPM | ||
Primo Libro di madrigali, SV 23–39: V. Baci soavi, e cari | Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Marie Gautrot, Lisandro Abadie | E Major | 0 | 12B | 102 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM |