"Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: VI. Vas spirituale" by Marc-Antoine Charpentier, Les Arts Florissants, Kaori Uemura, Anne Marie Lasla, William Christie was released on April 27, 1989. With Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: VI. Vas spirituale being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: VI. Vas spirituale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: VI. Vas spirituale by Marc-Antoine Charpentier, Les Arts Florissants, Kaori Uemura, Anne Marie Lasla, William Christie is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: V. Gloria | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Les Arts Florissants, Bernard Deletré, William Christie, Jean-Paul Fouchécourt, Noemi Rime | D♭ Minor | 1 | 12A | 112 BPM | ||
Le Bourgeois gentilhomme, LWV 43: Canaries | Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Minor | 2 | 5A | 84 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Les arts florissants, H. 487, Scene 1: Dans la noble ardeur | Marc-Antoine Charpentier, Molly Netter, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | F♯ Major | 1 | 2B | 117 BPM | ||
Médée, H. 491, Act II: Duo. "Ah, disons-le cent fois" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, Judith van Wanroij | G Major | 2 | 9B | 136 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: IX. Regina angelorum | Marc-Antoine Charpentier, Les Arts Florissants, Anne Marie Lasla, William Christie, Kaori Uemura | A♭ Minor | 1 | 1A | 169 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: II. Bourrée | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 2 | 12A | 103 BPM |