"Andrea Chénier / Act 4: "Come un bel dì di maggio"" by Umberto Giordano, Andrea Bocelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato was released on January 1, 2012. The duration of Andrea Chénier / Act 4: "Come un bel dì di maggio" is about 3 minutes long, at 3:17. Based on our data, "Andrea Chénier / Act 4: "Come un bel dì di maggio"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Opera". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Italy. Andrea Chénier / Act 4: "Come un bel dì di maggio" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andrea Chénier / Act 4: "Come un bel dì di maggio" by Umberto Giordano, Andrea Bocelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Major | 3 | 2B | 179 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Fedora: Fedora, Act II: Amor ti vieta | Umberto Giordano, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Alfredo Simonetto | C Major | 2 | 8B | 133 BPM | ||
Siberia / Act 2: Prelude | Umberto Giordano, Filarmonica della Scala, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Carmen, Act II: Entr'acte | Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E♭ Major | 0 | 5B | 141 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
Il valzer dell'organino | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 88 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM |