"La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano"" by Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis had its release date on January 1, 1993. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Nessun Dorma - Puccini's Greatest Arias". In this album, this song's track order is #8. The popularity of La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" by Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis having a テンポ of 179 with a half-time of 90 テンポ and a double-time of 358 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
Madama Butterfly / Act 2: Un bel dì vedremo | Giacomo Puccini, Felicia Weathers, Wiener Opernorchester, Argeo Quadri | D♭ Major | 1 | 3B | 91 BPM | ||
De Curtis / Arr. Mancini: Non ti scordar di me (Live) | Ernesto de Curtis, Luciano Pavarotti, Zubin Mehta, Los Angeles Philharmonic | A Major | 3 | 11B | 82 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Ave Maria, "Ellens Gesang III", D839 | Luciano Pavarotti, Dolores O'Riordan, London Voices, Terry Edwards, Orchestra filarmonica di Torino, Marco Armiliato | G Major | 4 | 9B | 74 BPM | ||
Mefistofele / Act 4: "Ogni mortal mister...Giunto sui passo estremo" | Arrigo Boito, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | A♭ Major | 1 | 4B | 88 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM |