Leo Nucci, Salotto Ottocento Ensemble made "Il valzer dell'organino" available on January 14, 2014. The duration of Il valzer dell'organino is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Il valzer dell'organino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Parlami d'amore Mariù (feat. Salotto Ottocento Ensemble)". In this album, this song's track order is #2. Il valzer dell'organino is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Il valzer dell'organino by Leo Nucci, Salotto Ottocento Ensemble having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
Frühlingsstimmen, Op. 410 (Version for Orchestra) | Johann Strauss II, Cologne New Philharmonic Orchestra, Volker Hartung | C Minor | 1 | 5A | 104 BPM | ||
Un ballo in maschera / Act 3: "Siam soli. Udite" ... "Dunque l'onta di tutti sol una" | Giuseppe Verdi, Josephine Barstow, Leo Nucci, Kurt Rydl, Goran Simic, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 2 | 4B | 80 BPM | ||
Rinaldo, HWV 7: "Lascia ch'io pianga" | Yvonne Kenny | E Major | 1 | 12B | 170 BPM | ||
Schatz-Walzer, Op. 418 | Johann Strauss II, Mariss Jansons, Wiener Philharmoniker | C Major | 2 | 8B | 90 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Los Amaneceres en Austria | Orquesta Concierto de Viena | B♭ Major | 2 | 6B | 174 BPM | ||
Un ballo in maschera / Act 3: "Ah! perché qui! fuggite" | Giuseppe Verdi, Josephine Barstow, Sumi Jo, Plácido Domingo, Leo Nucci, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D♭ Major | 1 | 3B | 85 BPM | ||
Otello / Act 3: Continua | Giuseppe Verdi, Luciano Pavarotti, Leo Nucci, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 1 | 12B | 95 BPM | ||
Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara) | George Gershwin, Ira Gershwin, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM |