"Carmen, Act II: Entr'acte" by Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse was released on 2003. The duration of Carmen, Act II: Entr'acte is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Carmen, Act II: Entr'acte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 68 in Bizet : Carmen by Georges Bizet, Angela Gheorghiu, Michel Plasson. Based on our statistics, Carmen, Act II: Entr'acte's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, Act II: Entr'acte by Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse is Allegro (fast, quick, and bright), since this song has a tempo of 141 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | B Major | 2 | 1B | 129 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) | Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
La vie parisienne: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | F Major | 4 | 7B | 89 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM |