Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky's 'L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra)' came out on February 7, 2017. The duration of L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 71 in Evgeny Mravinsky Edition, Vol. 2: Tchaikovsky, Mozart, Berlioz, Stravinsky & R. Strauss by Leningrad Philharmonic Orchestra, Evgeny Mravinsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) by Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio espagnol, Op. 34: Scena e canto gitano: Allegretto | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Méditation (from Thaïs) | Jules Massenet, London Festival Orchestra, Alberto Lizzio | E Minor | 1 | 9A | 52 BPM | ||
Háry János Suite (Version for Orchestra): V. Közjáték | Zoltán Kodály, Buffalo Philharmonic Orchestra, Joann Falletta | D Minor | 1 | 7A | 113 BPM | ||
Towards Victory | Fyodor Biryuchev | A Minor | 4 | 8A | 118 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Le docteur Miracle: Scene 4: Couplets: Je sais monter les escaliers (Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | B♭ Major | 0 | 6B | 90 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 9, Hochzeitsmarsch. Allegro vivace | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Fantasia dall'Austria: "Le Desir" su un tema di Franz Schubert, Op.2: VII. Variazione V Rondò allegretto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | A♭ Major | 4 | 4B | 107 BPM | ||
Bizet: Carmen, Act II: No.14 Couplets: Votre toast, je peux vous le rendre...Toréador, en garde! (Escamillo/Carmen/Frasquita/Mercédès/Moralès/Zuniga/Amis d'Escamillo) | Georges Bizet, Thomas Hampson, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 3 | 7B | 175 BPM |