"Romeo and Juliet, Op. 64 : Montagues and Capulets (Suite No.2, Op.64c, No.1)" by Tbilisi Symphony Orchestra, Vakhtang Kakhidze was released on January 1, 2003. Romeo and Juliet, Op. 64 : Montagues and Capulets (Suite No.2, Op.64c, No.1) is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Prokofiev, Tchaikovsky: Romeo and Juliet". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Romeo and Juliet, Op. 64 : Montagues and Capulets (Suite No.2, Op.64c, No.1) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 : Montagues and Capulets (Suite No.2, Op.64c, No.1) by Tbilisi Symphony Orchestra, Vakhtang Kakhidze having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.36 in C major, Linz, K. 425 : I. Adagio - Allegro spiritoso | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | C Major | 2 | 8B | 101 BPM | ||
La Bayadère / Act 2: No.29 (Andante) | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 68 BPM | ||
Troisième Gymnopédie | Erik Satie, Daniel Varsano | F Minor | 1 | 4A | 143 BPM | ||
21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor | Johannes Brahms, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 167 BPM | ||
Danse macabre, Op. 40 - Arranged By Franz Liszt & Vladimir Horowitz | Camille Saint-Saëns, Yuja Wang | E♭ Major | 3 | 5B | 111 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Scene | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 114 BPM | ||
For Elise | Uberto Pieroni | A Minor | 1 | 8A | 106 BPM | ||
Liszt: 6 Grandes études de Paganini, S. 141: No. 3 La Campanella | Franz Liszt, François-René Duchâble | B Minor | 1 | 10A | 85 BPM | ||
Carmen Ballet: Entrance of Carmen and Habañera | Arthur Fiedler | G Major | 1 | 9B | 120 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, Symfonický orchester Slovenského rozhlasu, Ondrej Lenard | B♭ Major | 2 | 6B | 77 BPM |