"Carmen Suite: VIII. Bolero (after G. Bizet): Scene" by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar was released on October 7, 1994. Since Carmen Suite: VIII. Bolero (after G. Bizet): Scene is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Shchedrin: Carmen Suite / Concerto for Orchestra". In this album, this song's track order is #6. In terms of popularity, Carmen Suite: VIII. Bolero (after G. Bizet): Scene is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmen Suite: VIII. Bolero (after G. Bizet): Scene by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanensee, Op. 20: Act II No. 13: Dances of the swans | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Minor | 0 | 2A | 125 BPM | ||
Sylvia: Act III: Divertissement: Strette - Galop | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | G Major | 2 | 9B | 157 BPM | ||
Symphony No.1 in E minor, Op.1: 1. Largo assai - Allegro | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | E Minor | 2 | 9A | 118 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
La fille mal gardée / Act 2: 27. Thomas, Alain And The Notaries | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 1 | 11B | 130 BPM | ||
Peer Gynt Suite No.2 op. 55 Arab Dance ( Allegretto vivace) | Academy of St. Martin in the Fields | A Minor | 2 | 8A | 126 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
La Bayadère / Act 1: No.5 Andante sostenuto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 90 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): IIb. Allegro con fuoco | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | D♭ Minor | 4 | 12A | 147 BPM | ||
My Homeland, Op. 62 | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | A Major | 2 | 11B | 101 BPM |