Arthur Fiedler made "Carmen Ballet: Entrance of Carmen and Habañera" available on 1970. The duration of Carmen Ballet: Entrance of Carmen and Habañera is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Carmen Ballet: Entrance of Carmen and Habañera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 27 in Carmen Ballet, Carnaval Overture, Incidental Music To "Hamlet" by Arthur Fiedler. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Carmen Ballet: Entrance of Carmen and Habañera's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Carmen Ballet: Entrance of Carmen and Habañera by Arthur Fiedler is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Procession of the Sardar | Philharmonic Wind Orchestra | E♭ Major | 4 | 5B | 92 BPM | ||
Dance | Gukovskiy Symphony Orchester, Sergey Skripka | D Minor | 4 | 7A | 119 BPM | ||
None But The Lonely Heart | Arthur Fiedler | D♭ Major | 1 | 3B | 80 BPM | ||
Galop | Nino Rota | F Major | 5 | 7B | 165 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Turkish March | Arthur Fiedler | B♭ Major | 3 | 6B | 128 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Minor | 2 | 5A | 185 BPM | ||
Orphée aux enfers: Overture (Arr. C. Binder & J.G. Busch for Orchestra) | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | E Minor | 1 | 9A | 126 BPM |