Orchestra of the Viennese Volksoper & Alfred Scholz made "Tritsch Tratsch - Galopp Polka, Op. 214" available on January 1, 2009. The duration of Tritsch Tratsch - Galopp Polka, Op. 214 is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Tritsch Tratsch - Galopp Polka, Op. 214's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orchestra of the Viennese Volksoper & Alfred Scholz's "Great Strauss Waltzes, Polkas & Marches: Alfred Scholz & The Viennese Folk Opera Orchestra" album is number 17 out of 21. On top of that, United States appears to be the country where this track was created. Tritsch Tratsch - Galopp Polka, Op. 214 is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tritsch Tratsch - Galopp Polka, Op. 214 by Orchestra of the Viennese Volksoper & Alfred Scholz to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
Die Schlittschuhläufer, Op. 183 (The Ice Skater) | Émile Waldteufel | D Major | 1 | 10B | 96 BPM | ||
Variation XVIII: Andante Cantabile | Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 148 BPM | ||
Imperial Fanfare | Antonio Salieri, Vienna Art of Trumpet, Leonhard Leeb | F Minor | 2 | 4A | 80 BPM | ||
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
Beethoven : Hymn to Joy - The European Hymn At Olympics | London Festival Orchestra | D Major | 1 | 10B | 75 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): The Story Begins | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | G Major | 2 | 9B | 100 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM |