On October 5, 2002, the song "Variation XVIII: Andante Cantabile" was released by Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra. The duration of Variation XVIII: Andante Cantabile is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Variation XVIII: Andante Cantabile's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 19 in Adagio Paradiso by Henry Mancini, The Mancini Pops Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Variation XVIII: Andante Cantabile's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Variation XVIII: Andante Cantabile by Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Hungarian Rhapsody No.2 in C sharp minor, S.244 | Franz Liszt, Michele Campanella | D♭ Major | 1 | 3B | 101 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Grande valse brillante in E-Flat Major, Op. 18 | Frédéric Chopin, Arthur Rubinstein | A♭ Major | 1 | 4B | 117 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": III. Menuet - Trio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 1 | 10B | 136 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |