"La Bayadère / Act 2: No.29 (Andante)" by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1994. La Bayadère / Act 2: No.29 (Andante) is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 2 out of 42. La Bayadère / Act 2: No.29 (Andante) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadère / Act 2: No.29 (Andante) by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 0 | 10B | 115 BPM | ||
Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
Le Cid / Act 2: Aragonaise | Jules Massenet, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 78 BPM | ||
Let the Bright Seraphim from Samson | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | D Major | 2 | 10B | 99 BPM | ||
Vivaldi: Violin Concerto in F Major, RV 293 "L'autunno" (No. 3 from "Il cimento dell'armonia e dell'inventione", Op. 8): II. Adagio molto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | B Minor | 0 | 10A | 112 BPM | ||
Grieg: Peer Gynt, Op. 23, Act IV: No. 16, Anitra's Dance | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | A Major | 1 | 11B | 161 BPM | ||
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | G Major | 0 | 9B | 84 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
The beyondness of things | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM |