"Liszt: 6 Grandes études de Paganini, S. 141: No. 3 La Campanella" by Franz Liszt, François-René Duchâble was released on 1996. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, François-René Duchâble's "Liszt: Piano Works" album is number 9 out of 9. On top of that, France appears to be the country where this track was created. Liszt: 6 Grandes études de Paganini, S. 141: No. 3 La Campanella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liszt: 6 Grandes études de Paganini, S. 141: No. 3 La Campanella by Franz Liszt, François-René Duchâble to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante cantabile for cello and strings Op. 11 | Han-Na Chang, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Major | 0 | 1B | 86 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
Theme From "Schindler's List"/Prelude In C-Sharp Minor/Hatikva | John Bayless | D♭ Minor | 1 | 12A | 96 BPM | ||
Rachmaninov: 5 morceaux de fantaisie, Op. 3: No. 2, Prélude | Sergei Rachmaninoff, Alexandre Tharaud | D♭ Minor | 1 | 12A | 84 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Itzhak Perlman, Jean Martinon, Orchestre de Paris | E Minor | 1 | 9A | 171 BPM | ||
Schneeglöckchen-Walzer, Op. 143 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | F♯ Minor | 0 | 11A | 82 BPM | ||
Liebestraum No. 3 in A flat, S.541 No. 3 | Franz Liszt, Claudio Arrau | A♭ Major | 1 | 4B | 124 BPM | ||
The Seasons, Op. 37a, TH 135: No. 6, June (Barcarolle) | Pyotr Ilyich Tchaikovsky, Vassily Primakov | E Major | 0 | 12B | 89 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49, MWV 29: II. Andante con moto tranquillo | Felix Mendelssohn, Van Baerle Trio | C Minor | 4 | 5A | 147 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Daniel Hope, Jacques Ammon, Ensemble des Deutschen Kammerorchesters Berlin | E Major | 1 | 12B | 81 BPM |