Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten"
- テンポ
- 85
- キー
- D Major
- キャメロットミュージックキー
- 10B
Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" - Johann Strauss II, Julia Varady, Ferry Gruber, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber 情報
- 音響性
- 94%
- ダンサビリティ
- 42%
- エネルギー
- 33%
- 手段性
- 0%
- 活気
- 66%
- ラウドネス
- 76%
- 話し言葉
- 14%
- 価数
- 31%
- 人気
- 12%
- ラウドネス
- -14.533 dB
まとめ
Johann Strauss II, Julia Varady, Ferry Gruber, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber's 'Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten"' came out on January 1, 1976. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #6. Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" テンポ
With Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" by Johann Strauss II, Julia Varady, Ferry Gruber, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" キー
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gedankenpflug - Walzer Op. 215 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | D Major | 1 | 10B | 100 BPM | |
 | Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Neige, neige, du Ohnegleiche" | Gustav Mahler, Lucia Popp, Arleen Auger, Vienna Boys' Choir, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 101 BPM | |
 | Der Rosenkavalier, Op. 59, TrV 227, Act III: Act III: Marie Theres'! … Hab' mir's gelobt (Octavian, Marschallin, Sophie, Faninal) | Richard Strauss, Lorenz Fehenberger, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Gerhard Unger, Claire Watson, Lucia Popp, Brigitte Fassbaender, Benno Kusche, Karl Ridderbusch, David Thaw, Albrecht Peter, Annelie Waas, Margarethe Bence, Georg Paskuda, Franz Klarwein, Hans Wilbrink, Carlos Kleiber | D♭ Major | 2 | 3B | 79 BPM | |
 | Il barbiere di Siviglia / Act I: "La calunnia è un venticello" - "Ah! che ne dite?" (Basilio / Basilio, Bartolo, Figaro, Rosina) | Gioachino Rossini, Teresa Berganza, Enzo Dara, Hermann Prey, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | |
 | Rigoletto / Act 2: Tutte le feste al tempio | Giuseppe Verdi, Ileana Cotrubas, Wiener Philharmoniker, Carlo Maria Giulini | C Major | 0 | 8B | 80 BPM | |
 | Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr | Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers | C Major | 4 | 8B | 84 BPM | |
 | Ariadne auf Naxos / Prologue: "Mein Herr Haushofmeister!" | Richard Strauss, Rudolf Asmus, Dietrich Fischer-Dieskau, Rolf Wollrad, Wolfgang Millgramm, Julia Varady, Gewandhausorchester, Kurt Masur | D Minor | 1 | 7A | 90 BPM | |
 | Wagner: Die Meistersinger von Nürnberg, Act 1: "Eva, mein einzig Kind, zur Eh'" (Chor, Vogelgesang, Sachs, Kothner, Nachtigall, Beckmesser) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch, Bernd Weikl, Chor der Bayerischen Staatsoper, Hans Wilbrink, Hans-Joachim Ketelsen, Michael Shade, Siegfried Lorenz | C Major | 2 | 8B | 108 BPM | |
| Wagner: Die Meistersinger von Nürnberg, Act 3: "Morgendlich leuchtend in rosigem Schein" (Walther, Sachs, Pogner, Eva, Chor) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch, Ben Heppner, Bernd Weikl, Cheryl Studer, Chor der Bayerischen Staatsoper, Kurt Moll | C Major | 3 | 8B | 169 BPM | |
| Wagner: Die Meistersinger von Nürnberg, Act 1: "Halt! Meister! Nicht so geeilt!" (Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Walther, Chor) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch, Ben Heppner, Bernd Weikl, Chor der Bayerischen Staatsoper, Hans Wilbrink, Hans-Joachim Ketelsen, Kurt Moll, Siegfried Lorenz | B♭ Major | 2 | 6B | 109 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records