Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers made "Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr" available on February 19, 2010. The duration of Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 234 in the song's album "Nicolai Gedda: Lyric Poet of the Tenor Voice". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr by Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Faust: Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | E♭ Major | 3 | 5B | 86 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
'T was Not the Wind | Nikolai Rimsky-Korsakov, Anna Netrebko | F Major | 1 | 7B | 81 BPM | ||
Lucia di Lammermoor / Act 2: "Per te d'immenso giubilo" | Gaetano Donizetti, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 129 BPM |