Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch, Bernd Weikl, Chor der Bayerischen Staatsoper, Hans Wilbrink, Hans-Joachim Ketelsen, Michael Shade, Siegfried Lorenz's 'Wagner: Die Meistersinger von Nürnberg, Act 1: "Eva, mein einzig Kind, zur Eh'" (Chor, Vogelgesang, Sachs, Kothner, Nachtigall, Beckmesser)' came out on 1994. Since Wagner: Die Meistersinger von Nürnberg, Act 1: "Eva, mein einzig Kind, zur Eh'" (Chor, Vogelgesang, Sachs, Kothner, Nachtigall, Beckmesser) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Meistersinger by Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch. The song's track number on the album is #12 out of 63 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Wagner: Die Meistersinger von Nürnberg, Act 1: "Eva, mein einzig Kind, zur Eh'" (Chor, Vogelgesang, Sachs, Kothner, Nachtigall, Beckmesser) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Wagner: Die Meistersinger von Nürnberg, Act 1: "Eva, mein einzig Kind, zur Eh'" (Chor, Vogelgesang, Sachs, Kothner, Nachtigall, Beckmesser) by Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch, Bernd Weikl, Chor der Bayerischen Staatsoper, Hans Wilbrink, Hans-Joachim Ketelsen, Michael Shade, Siegfried Lorenz has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Die Meistersinger von Nürnberg, Act 1: "Eva, mein einzig Kind, zur Eh'" (Chor, Vogelgesang, Sachs, Kothner, Nachtigall, Beckmesser) being at 108 テンポ, the half-time would be 54 テンポ with a double-time of 216 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
Götterdämmerung, WWV 86D, Act III: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 64 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Die Walküre, WWV 86B: Ride of the Valkyries (Excerpt) | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | B Minor | 2 | 10A | 95 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegretto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 80 BPM | ||
Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers | Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 3 | 11B | 176 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Masks | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 84 BPM | ||
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM |