"Götterdämmerung, WWV 86D, Act III: Vorspiel" by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden was released on November 9, 2018. The duration of Götterdämmerung, WWV 86D, Act III: Vorspiel is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Götterdämmerung, WWV 86D, Act III: Vorspiel's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Götterdämmerung, WWV 86D by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden, Eric Halfvarson, Daniel Brenna. The song's track number on the album is #1 out of 48 tracks. Götterdämmerung, WWV 86D, Act III: Vorspiel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, WWV 86D, Act III: Vorspiel by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Götterdämmerung, WWV 86D, Act III: Vorspiel being at 64 テンポ, the half-time would be 32 テンポ with a double-time of 128 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17d, Presto | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 104 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Romeo and Juliet, Op.64 - Act 3: Juliet Alone | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 118 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Nur wer der Minne Macht entsagt" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM | ||
Space Fantasy | Isao Tomita, Richard Strauss, Richard Wagner | B Major | 2 | 1B | 75 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM |