Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra made "Carmen (1997 - Remaster), Act III: Entr'acte" available on 1964. The duration of Carmen (1997 - Remaster), Act III: Entr'acte is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Carmen (1997 - Remaster), Act III: Entr'acte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. Based on our statistics, Carmen (1997 - Remaster), Act III: Entr'acte's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Carmen (1997 - Remaster), Act III: Entr'acte by Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) | Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Romeo and Juliet, Op.64 - Act 2: Romeo Decides To Avenge Mercutio - Finale | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Minor | 4 | 5A | 114 BPM | ||
Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
Romeo and Juliet, Op. 64 - Act 3: Juliet's Room | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Minor | 0 | 9A | 81 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | E♭ Major | 2 | 5B | 71 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | F Major | 1 | 7B | 83 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Die Fledermaus / Act II: Polka "Unter Donner und Blitz", Op. 324 | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 7 | 9B | 89 BPM | ||
Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | E Minor | 3 | 9A | 142 BPM |