"The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio")" by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti was released on January 1, 1981. The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia: Act I: Intermezzo | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Minor | 0 | 3A | 82 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Aria. "Zdyes on, zdyes on, Yevgeni!" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 107 BPM | ||
Symphony No. 1 in G Minor, Op. 13, "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | C Minor | 0 | 5A | 101 BPM | ||
Giselle: Act I: Polacca | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 87 BPM | ||
Bayadere Galop | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | A Major | 1 | 11B | 134 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM |