"Der Rosenkavalier, Op. 59, TrV 227, Act III: Act III: Marie Theres'! … Hab' mir's gelobt (Octavian, Marschallin, Sophie, Faninal)" by Richard Strauss, Lorenz Fehenberger, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Gerhard Unger, Claire Watson, Lucia Popp, Brigitte Fassbaender, Benno Kusche, Karl Ridderbusch, David Thaw, Albrecht Peter, Annelie Waas, Margarethe Bence, Georg Paskuda, Franz Klarwein, Hans Wilbrink, Carlos Kleiber was released on January 1, 2016. With this song being about 5 minutes long, at 5:15, "Der Rosenkavalier, Op. 59, TrV 227, Act III: Act III: Marie Theres'! … Hab' mir's gelobt (Octavian, Marschallin, Sophie, Faninal)" by Richard Strauss, Lorenz Fehenberger, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Gerhard Unger, Claire Watson, Lucia Popp, Brigitte Fassbaender, Benno Kusche, Karl Ridderbusch, David Thaw, Albrecht Peter, Annelie Waas, Margarethe Bence, Georg Paskuda, Franz Klarwein, Hans Wilbrink, Carlos Kleiber is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 62 in the song's album "R. Strauss: Der Rosenkavalier (The Knight of the Rose), Op. 59, TrV 227". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Der Rosenkavalier, Op. 59, TrV 227, Act III: Act III: Marie Theres'! … Hab' mir's gelobt (Octavian, Marschallin, Sophie, Faninal) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59, TrV 227, Act III: Act III: Marie Theres'! … Hab' mir's gelobt (Octavian, Marschallin, Sophie, Faninal) by Richard Strauss, Lorenz Fehenberger, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Gerhard Unger, Claire Watson, Lucia Popp, Brigitte Fassbaender, Benno Kusche, Karl Ridderbusch, David Thaw, Albrecht Peter, Annelie Waas, Margarethe Bence, Georg Paskuda, Franz Klarwein, Hans Wilbrink, Carlos Kleiber having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 | Franz Liszt, William Wolfram | B♭ Major | 2 | 6B | 67 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Larghetto | Sergei Prokofiev, Yuri Temirkanov | A Major | 0 | 11B | 109 BPM | ||
Elektra: V. Mit Messern gräbt Tag um Tag… | Hugo von Hofmannsthal, Richard Strauss, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM |