Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch, Ben Heppner, Bernd Weikl, Chor der Bayerischen Staatsoper, Hans Wilbrink, Hans-Joachim Ketelsen, Kurt Moll, Siegfried Lorenz's 'Wagner: Die Meistersinger von Nürnberg, Act 1: "Halt! Meister! Nicht so geeilt!" (Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Walther, Chor)' came out on 1994. The duration of Wagner: Die Meistersinger von Nürnberg, Act 1: "Halt! Meister! Nicht so geeilt!" (Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Walther, Chor) is about 3 minutes long, at 3:19. Based on our data, "Wagner: Die Meistersinger von Nürnberg, Act 1: "Halt! Meister! Nicht so geeilt!" (Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Walther, Chor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Die Meistersinger by Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch. The song's track number on the album is #3 out of 63 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Wagner: Die Meistersinger von Nürnberg, Act 1: "Halt! Meister! Nicht so geeilt!" (Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Walther, Chor) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Wagner: Die Meistersinger von Nürnberg, Act 1: "Halt! Meister! Nicht so geeilt!" (Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Walther, Chor) by Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch, Ben Heppner, Bernd Weikl, Chor der Bayerischen Staatsoper, Hans Wilbrink, Hans-Joachim Ketelsen, Kurt Moll, Siegfried Lorenz has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Wagner: Die Meistersinger von Nürnberg, Act 1: "Halt! Meister! Nicht so geeilt!" (Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Walther, Chor) being at 109 テンポ, the half-time would be 54 テンポ with a double-time of 218 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
Prince Igor (Knyaz Igor): Act II: Merknyet svyet dnevnoy (Daylight is fading) (Konchakovna) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F♯ Major | 2 | 2B | 91 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Rex tremendae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 3 | 6A | 108 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM |