Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly's 'The Thieving Magpie - From “A Clockwork Orange"' came out on 1981. With this song being about 5 minutes long, at 5:07, "The Thieving Magpie - From “A Clockwork Orange"" by Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since The Thieving Magpie (From "A Clockwork Orange") only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. The Thieving Magpie - From “A Clockwork Orange" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Thieving Magpie - From “A Clockwork Orange" by Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blue Danube (Reprise) | Johann Baptist Strauss II, Westminster Concert Orchestra | E♭ Major | 1 | 5B | 86 BPM | ||
William Tell Overture | Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra | E Major | 6 | 12B | 169 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | ||
Jazz Suite No. 2: 6. Waltz II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 2 | 5A | 89 BPM | ||
Concerto in F: 3. Allegro agitato | George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester | B♭ Major | 3 | 6B | 139 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 105 BPM | ||
La gazza ladra (The Thieving Magpie): Sinfonia | Gioachino Rossini, Paolo Bordogna, Kleopatra Papatheologou, Dmitry Korchak, Mariola Cantarero, Alex Esposito, Michele Pertusi, Manuela Custer, Stefan Cifolelli, Cosimo Panozzo, Vittorio Prato, Matteo Ferrara, Sandhya Nagaraja, Prague Chamber Chorus, Paolo Pucci, Giulio Zappa, Bolzano-Trento Haydn Orchestra, Lu Jia | E Major | 2 | 12B | 185 BPM | ||
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM |