"Carmen / Act 1: Votre mère avec moi sortait de la chapelle" by Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1983. The duration of Carmen / Act 1: Votre mère avec moi sortait de la chapelle is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Carmen / Act 1: Votre mère avec moi sortait de la chapelle's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 55 in Bizet: Carmen by Georges Bizet, Agnes Baltsa, José Carreras, José van Dam, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan. Based on our statistics, Carmen / Act 1: Votre mère avec moi sortait de la chapelle's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen / Act 1: Votre mère avec moi sortait de la chapelle by Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Romeo and Juliette, Act IV: Amour ranime mon courage | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Romeo and Juliette, Act III: Que fais-tu | Charles Gounod, Marie-Ange Todorovitch/Orchestre du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Le Comte Ory / Act 1: "Ciel! - O terreur, ô peine extrê" | Gioachino Rossini, Stefania Bonfadelli, Marie-Ange Todorovitch, Rosella Bevacqua, Marina de Liso, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
La Cenerentola / Act 1: "Ah! se velata ancor...Sprezzo quei don...Parlar, pensar" | Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Fernanda Costa, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B Minor | 3 | 10A | 70 BPM | ||
Rusalka, Op. 114 / Act 2: Jarku, jarku, klouce milé | Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Czech Philharmonic Orchestra, Sir Charles Mackerras | B♭ Major | 6 | 6B | 100 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (a) "Rien! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |