Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Czech Philharmonic Orchestra, Sir Charles Mackerras's 'Rusalka, Op. 114 / Act 2: Jarku, jarku, klouce milé' came out on January 1, 1998. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Rusalka, Op. 114 / Act 2: Jarku, jarku, klouce milé is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Rusalka, Op. 114 / Act 2: Jarku, jarku, klouce milé by Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Czech Philharmonic Orchestra, Sir Charles Mackerras is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Nouvelles compositions: No. 1, À Grenade | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 2 | 10B | 112 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Turandot / Act 2: O mondo, O mondo | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 10 | 10B | 132 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
Rusalka, Op. 114 / Act 3: Aj, aj? Uz jsi se navrátila | Antonín Dvořák, Dolora Zajick, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 87 BPM | ||
Salome, Op. 54 / Scene 3: "Wer ist dies Weib, das mich ansieht?" | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 1 | 5A | 83 BPM | ||
La Sonnambula / Act 1: Sopra il sen la man mi posa | Vincenzo Bellini, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 75 BPM | ||
Carmina Burana: Stetit puella | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B Minor | 0 | 10A | 84 BPM | ||
L'elisir d'amore / Act 2: "Saria possibile?" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 125 BPM |