L'elisir d'amore / Act 2: "Saria possibile?"

Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge
Donizetti: L'Elisir d'Amore
4:21 1971年1月1日
テンポ
125
キー
E Major
キャメロットミュージックキー
12B

リンクを埋め込む

共有

L'elisir d'amore / Act 2: "Saria possibile?" - Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge 情報

音響性
99%
ダンサビリティ
50%
エネルギー
6%
手段性
0%
活気
9%
ラウドネス
64%
話し言葉
6%
価数
6%
人気
ラウドネス
-21.722 dB

まとめ

"L'elisir d'amore / Act 2: "Saria possibile?"" by Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1971. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 30 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge. Based on our statistics, L'elisir d'amore / Act 2: "Saria possibile?"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

L'elisir d'amore / Act 2: "Saria possibile?" テンポ

The tempo marking of L'elisir d'amore / Act 2: "Saria possibile?" by Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

L'elisir d'amore / Act 2: "Saria possibile?" キー

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Don Giovanni, Act Il, Commendatore Scene by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy, John Tomlinson, Richard Stilwell, Willard WhiteDon Giovanni, Act Il, Commendatore SceneWolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy, John Tomlinson, Richard Stilwell, Willard WhiteA Major311B81 BPM
Fedora / Act 2: Fedora / Act 2: "Amor ti vieta"Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark ElderC Major18B91 BPM
Don Giovanni, K.527 / Act 2: Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti"Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville MarrinerB♭ Major36B78 BPM
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) by Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey TateDie tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied)Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey TateB♭ Major16B88 BPM
Il Barbiere di Siviglia (1996 Digital Remaster): Contro un cor che accende amore (Rosina/Conte) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriIl Barbiere di Siviglia (1996 Digital Remaster): Contro un cor che accende amore (Rosina/Conte)Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriF Major17B135 BPM
Eugene Onegin, Op. 24, TH.5 / Act 1: Servant Girls' Chorus. Eugene Onegin, Op. 24, TH.5 / Act 1: Servant Girls' Chorus. "Dyevitsi, krasavitsi"Pyotr Ilyich Tchaikovsky, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon BychkovA Major011B107 BPM
Madama Butterfly / Act 2: Ora a noi. Sedete qui. by Giacomo Puccini, Robert Kerns, Mirella Freni, Wiener Philharmoniker, Herbert von KarajanMadama Butterfly / Act 2: Ora a noi. Sedete qui.Giacomo Puccini, Robert Kerns, Mirella Freni, Wiener Philharmoniker, Herbert von KarajanB♭ Major06B168 BPM
Tosca / Act 3: Tosca / Act 3: "Presto, su! Mario!"Giacomo Puccini, Mirella Freni, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola RescignoE♭ Minor32A82 BPM
Cessato il suon dell'Armi (1887) by Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo ChaillyCessato il suon dell'Armi (1887)Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo ChaillyA Major511B113 BPM
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Arioso. Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas"Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon BychkovE Major112B90 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records