"La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri" by Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1980. Since La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: La Traviata by Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, Matteo Manuguerra, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge. The song's track number on the album is #11 out of 24 tracks. La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri by Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 1 | 5B | 108 BPM | ||
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Cheryl Studer, Sondra Kelly, John Hanriot, Juan Pons, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 171 BPM | ||
Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 5 | 6B | 159 BPM | ||
I Puritani / Act 1: Or dove fuggo mai? | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 99 BPM | ||
Tosca / Act 1: "Or tutto è chiaro...Mario? Mario?" | Giacomo Puccini, Sherrill Milnes, Mirella Freni, Italo Tajo, National Philharmonic Orchestra, Nicola Rescigno | B♭ Major | 2 | 6B | 87 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Tosca / Act 3: "Come è lunga l'attesta!" | Giacomo Puccini, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | C Major | 1 | 8B | 141 BPM | ||
Otello / Act 1: Già nella notte densa (Love Duet) | Giuseppe Verdi, Plácido Domingo, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | C Major | 1 | 8B | 175 BPM | ||
La Sonnambula / Act 2: Ah! non giunge uman pensiero | Vincenzo Bellini, Dame Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | F Minor | 3 | 4A | 133 BPM |