Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly made "Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia"" available on January 1, 2007. The duration of Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia" is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verismo Recital by Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis. The song's track number on the album is #11 out of 15 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia"'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia" by Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly has a tempo of 159 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia" being at 159 テンポ, the half-time would be 80 テンポ with a double-time of 318 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio" | Umberto Giordano, Andrea Bocelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | B♭ Major | 2 | 6B | 87 BPM | ||
Andrea Chénier / Act 1: "Perdonatemi! ... La notte il giorno portiamo" | Umberto Giordano, Violeta Urmana, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | F Minor | 1 | 4A | 71 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | B♭ Minor | 1 | 3A | 83 BPM | ||
Andrea Chénier, Act IV: Come un bel dì di maggio | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Adriana Lecouvreur / Act 1: "La dolcissima effigie" | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 2 | 4B | 79 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM |