"Lucrezia Borgia / Act 2: Era desso il figlio mio" by Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers was released on August 19, 2002. With this song being about 5 minutes long, at 5:23, "Lucrezia Borgia / Act 2: Era desso il figlio mio" by Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Renée Fleming - Bel Canto Scenes". In this album, this song's track order is #20. In terms of popularity, Lucrezia Borgia / Act 2: Era desso il figlio mio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lucrezia Borgia / Act 2: Era desso il figlio mio by Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? | Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
La Bohème / Act 3: "Ohè, là, le guardie!" - "Aprite!" | Giacomo Puccini, Hans-Dietrich Pohl, Elizabeth Harwood, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 123 BPM | ||
Die Forelle, D. 550 | Franz Schubert, Renée Fleming, Christoph Eschenbach | D♭ Major | 0 | 3B | 166 BPM | ||
Lucrezia Borgia - Act I - Com'è bello! Quale incanto | Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario | E♭ Major | 1 | 5B | 63 BPM | ||
L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 120 BPM | ||
Gianni Schicchi: "Quale aspetto sgomento e desolato!" | Giacomo Puccini, Leo Nucci, Roberto Alagna, Mirella Freni, Riccardo Cassinelli, Eva Podles, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 2 | 3B | 138 BPM | ||
L´Arlesiana: È la solita storia | Francesco Cilea, Jon Vickers, Orchestra Dell Opera Di Roma, Tullio Serafin | A Minor | 1 | 8A | 77 BPM |