"Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás?" by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 1998. With this song being about 5 minutes long, at 5:21, "Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás?" by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM | ||
Sea Pictures, Op. 37: No. 5, The Swimmer | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | E♭ Major | 4 | 5B | 124 BPM | ||
Puts: The Hours, Act 2: "Mm... ’Stead of Jousting You’d Rather…" (Mrs. Latch, Richie, Laura, Clarissa, Virginia, Leonard, Nelly) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kathleen Kim, Kelli O'Hara, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Carmen, WD 31, Act IV: A deux cuartos (Street Sellers) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F♯ Major | 2 | 2B | 117 BPM | ||
Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail | Jacques Offenbach, Magdalena Kozená, Jean-Christophe Keck, Mahler Chamber Orchestra, Marc Minkowski | D Major | 1 | 10B | 76 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM |