Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Fernanda Costa, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's 'La Cenerentola / Act 1: "Ah! se velata ancor...Sprezzo quei don...Parlar, pensar"' came out on January 1, 1993. Since La Cenerentola / Act 1: "Ah! se velata ancor...Sprezzo quei don...Parlar, pensar" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. La Cenerentola / Act 1: "Ah! se velata ancor...Sprezzo quei don...Parlar, pensar" is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With La Cenerentola / Act 1: "Ah! se velata ancor...Sprezzo quei don...Parlar, pensar" by Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Fernanda Costa, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
La Fiera di Venezia / Act 3: Vi sono sposa e amante | Antonio Salieri, Cecilia Bartoli, Rachel Brown, Anthony Robson, Orchestra of the Age of Enlightenment, Ádám Fischer | C Major | 3 | 8B | 130 BPM | ||
Andrea Chénier / Act 3: Sì, fui soldato .. Passa la vita mia | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | A♭ Major | 3 | 4B | 122 BPM | ||
Il Signor Bruschino / Act 1: N.2 Duetto: "Io danari vi darò!" | Gioachino Rossini, Frank Lopardo, Michele Pertusi, English Chamber Orchestra, Ion Marin, John Constable | F Major | 2 | 7B | 137 BPM | ||
La scala di seta: III. Recitativo | Gioachino Rossini, Alessandro Corbelli, Teresa Ringholz, Ramón Vargas, Natale de Carolis, Francesca Provvisionato, Fulvio Massa, Marcello Viotti, English Chamber Orchestra | F Major | 1 | 7B | 93 BPM | ||
Il Trovatore / Act 2: "Perigliarti ancor languente" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | G Major | 4 | 9B | 69 BPM | ||
Otello, ossia Il moro di Venezia: Act III: Scene, Air, Duet and Finale III: Ah!… Dagli affanni oppressa (Desdemona, Emilia) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | ||
Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
La Cenerentola / Act 2: Della Fortuna instabile...Sposa - Signor perdona... | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 92 BPM |