"Romeo and Juliette, Act IV: Amour ranime mon courage" by Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse was released on 1998. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Gounod, Michel Plasson's "Gounod: Roméo et Juliette" album is number 24 out of 67. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Romeo and Juliette, Act IV: Amour ranime mon courage is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo and Juliette, Act IV: Amour ranime mon courage by Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Xerxes: Largo | Iona Brown, Academy of St. Martin in the Fields | F Major | 2 | 7B | 114 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Messe solennelle de Ste. Cécile: Sanctus | Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Major | 1 | 7B | 125 BPM |