"Romeo and Juliette, Act III: Que fais-tu" by Charles Gounod, Marie-Ange Todorovitch/Orchestre du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse was released on 1998. The duration of Romeo and Juliette, Act III: Que fais-tu is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Romeo and Juliette, Act III: Que fais-tu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, Michel Plasson's "Gounod: Roméo et Juliette" album is number 6 out of 67. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Romeo and Juliette, Act III: Que fais-tu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo and Juliette, Act III: Que fais-tu by Charles Gounod, Marie-Ange Todorovitch/Orchestre du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | ||
Pie Jesu | Andrew Lloyd Webber, Anna Netrebko | A♭ Major | 0 | 4B | 78 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Estrellita | Manuel Ponce, Nikolaj Znaider | F♯ Major | 1 | 2B | 103 BPM | ||
Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Rusalka, Op. 114: Song to the Moon | Antonín Dvořák, Joshua Bell, Michael Stern | F♯ Major | 1 | 2B | 137 BPM | ||
The Girl with Flaxen Hair | Claude Debussy, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM |